Having just read the book, I'd say the effect is of looking out from inside a novel: a story is happening, but the large passages of narration that connect the individual events of "The Object-Lesson" into a single story are as unavailable to the reader as they are to the characters.
The first sentence, divided amongst six elaborately crosshatched panoramic ink drawings, initiates what is only the first of several surreal and non-sequiturial narratives and gives readers the sense that an elaborate story of some sort is unfolding and they are mearly seeing brief snippets. Edward Gorey, most easily recognizable for the opening animation of the television show "Mystery!", wrote dozens of strangely comic picture-books that were not intended for children.
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